Play Date

Play Date

Play Date is the name of one of this week’s gouache paintings. I had several other names for this painting before settling on Play Date. I will share that information and the scoop on a new contemporary painter “crush” I have in today’s post. But first, I will welcome new readers and share the purpose of this post and blog.

Small Spaces Special Places

Welcome new readers! Each year, I select a theme for my weekly paintings. This year’s is “Small Spaces Special Places.” Why? I have been surprised, even delighted, with the small spaces in our house that have captured my eye.

Also, there are the special places I see on my daily dog walks. Each morning, rain or shine, I love getting outdoors and looking for things to paint. Sometimes, we venture on the road and I share paintings of special places from these trips, too.

If you think you will enjoy a weekly dose of color, sign up here for this weekly blog. Let’s get to this week’s topic!

Besides Play Date

One of the other names for this painting could be “To Do” list. Why? I guess because I loved looking at the leaves in order, seeing little check boxes next to them. And, voila, instead of a play date, these leaves are a visual check list. But that idea didn’t last.

When I see leaves on the ground this time of year. I often wonder why. It’s possible that wind caught a branch and tossed the leaves on the ground. But two of these leaves had already turned from green to brown. Sure I could research all of this. That’s not really the point of my question though. I think it’s the serendipity of finding these leaves on the ground that appeals to me right now. So there’s the non-explanation for that.

And, so I imagined these leaves as little rebellious characters. They have shirked their shading responsibilities and are free for a play date. Sure hope they have fun.

Experimenting

As I head into my seventh straight year of painting, I find that I am thinking about the material of paint, application of it and the word ‘painterly.’ My eyes are drawn to paintings that reveal an image of something but also show brush strokes; the material at work.

I find that I want to show viewers realistic images but I also want the viewer to know that the image takes tens, hundreds even thousands of brush strokes. Therefore I have started to work on more than one painting this week. The goal here is to have paintings to show during the week while I take my time on other paintings. I have wanted to do this for ages. But have never actually done it till now.

This seems consistent with other activities in my life. Like what? Like reading! I usually have at least two books going on at once. Two books is especially helpful when one of them is so enticing I don’t want it to end. I extend it’s reading “life” by reading something else too.

Lastest Painter “Crush”

In the past weeks, I have shared the work of Willem Bastiaan Tholen. He definitely inspired the painting below with his painting here.

Clouds 6x6 inch gouache painting on cold press paper by Julie Dyer Holmes 300

This painting, entitled “Clouds”, is a view from the studio and of our backyard. I love seeing the clouds change and disappear. I especially love seeing the contrast between the clouds and the edge of the trees. There are more paintings like this to come I’m sure. I am grateful to have seen Tholen’s painting. It helped me think about what I’m seeing, right outside my door, in a different light.

But now I have a new painter whose work inspires me. This painter is living and is super open about the struggles she has as she creates beautiful and painterly work. Her name is Helen Davison Bradley and here’s a link to her new work. I love that I can see the paint and her brush strokes in every painting. I love how she simplifies shapes and yet communicates landscapes. I am excited to think about this as I work on paintings for the next little while.

What about you

What are you thinking about gentle reader? As I think about brush strokes, are you pondering something new or different in your work or life in general? Please do tell in the comments below. Oh and by the way, the paintings here are for sale. Here’s the link for Play Date (pictured below) Here’s a link for “Clouds” painting above too.

Play Date 6x6 inchd gouache painting on cold press paper by Julie Dyer Holmes 300

Thank you as always for reading along here today!

4 Comments

  1. Alexandra
    July 8, 2021

    Great post, Julie! I liked what you said about brush strokes and have also come to appreciate leaving evidence of the strokes. I actually think my paintings resembles better what I see in front of me if I leave the strokes as they are without trying to blend them in. (This is easier said than done, I might add.) It always makes me think then about how the eye sees, i.e. that we actually don’t see things blended but as a series of unfinished shapes of colors without even realizing it. I find that fascinating.

    Also, thanks for introducing us to the work of Helen Davison Bradley. I had never heard of her before and really enjoyed looking at her work just now – so fresh and vivid!

    Reply
    • Julie Holmes
      July 8, 2021

      Hey Alexandra, That is so cool that you are thinking about brush strokes,too. Perhaps as we practice over time our brains seek more and more and then…like most things in life…it’s what’s right in front of us that inspires.

      And, yes, I agree it’s super challenging to leave brush strokes as is whether you blend or not. The process and practice of doing this is really alluring and challenging. And, I guess that’s part of why I keep coming back, again and again, to the easel.

      Glad you had a chance to look at Helen Davison Bradley’s work. Like you (and me), she has a graphic design practice in her resume.

      In solidarity at the easel my friend! Thank you so much for reading and commenting here. Onward, right?

      Reply
  2. Beth Dyer Clary
    July 15, 2021

    In my mind I was certain I’d responded to this post! I’m wild for that view from your studio with the clouds and tree! Something about that blue!

    Plus, the question of summer leaves distracts me sometimes, too. I’ve watched the Blue Jays and the Red-tailed Hawks sitting high up and “chewing” through branches and then, oddly, watching them fall to the ground. Strange. To what end? Not for food but maybe shelter? But they lay on the lawn or driveway until we pick them up to mow the lawn, etc. The ornithologists at the refuge say birds (and most animals) do things for three reasons: food, shelter, reproduction. That’s what makes me ask that question.

    As for Helen Davison Bradley’s work, hmmm, I’d rather stare at yours but I do like some of her paintings A LOT. “Conversation” made me smile. I could stare at that one a long time.

    Always enjoy reading these!

    Reply
    • Julie Holmes
      July 21, 2021

      Hi Beth,

      That view is pretty wonderful and I feel so lucky to have it.

      I have seen some crazy activity in our trees too. It leads to all kinds of potential subject matter for paintings. Perhaps the ornithologist can add that as a reason? HA! Only kidding. Your story makes me wonder if the hawks and jays were getting materials for nests and then somehow became startled and flew away. Then their branches were all that is left behind?

      Ah well! Thanks so much for reading here and commenting too. Means so much to me!

      Lots o’ love

      Reply

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