If Morandi Ate Sweet Potatoes

If Morandi Ate Sweet Potatoes

Wondering what would happen if Morandi ate sweet potatoes? Me too, gentle reader! How did you know? Before you share, I want to welcome you and new readers today. And, if you’re a new reader, here’s a link with a description of the purpose of this blog. Let’s get to today’s painting and it’s inspiration.

Sweet Potato Still Life Painting

I could have called this painting “Sweet Potato Still Life Painting” but there’s a lot of intention and learning that went on here in this 9×12 inch work. So, first I will share a larger image and then I’ll explain the inspiration and intention.


If-Morandi-Ate-Sweet-Potatoes-SFW-9x12-inch-oil-painting-on-linen-panel-by-Julie-Dyer-Holmes

Here’s why Giorgio Morandi is in the mix of this week’s painting and blog post. First, so many of his paintings break so many fundamental rules of composition in painting. And, yet, they have a sense of calm and serenity that is, to me anyway, palpable. Here’s an example of one of his (1350!!!) paintings he painted in his lifetime. It’s called, you guessed it, “Still Life” or the more evocative version in Italian “Natura Morta.”

Still Life by Giorgio Morandi 1918

Rule Breaker Supreme

So here are a few ways Morandi ‘breaks’ composition rules. First, he puts all the objects in the middle of the picture plane. And, he has a horizontal line that is practically in the middle of the picture plane. Also, notice that each of the objects line up on the same line at their bottom edge. Each of these three aspects of this painting are technically ‘poor’ compositional decisions.

But wait there’s more! He does not show any cast shadow with any of the objects in the painting. What’s a cast shadow? Imagine if light is coming from the upper right hand corner of Morandi’s painting. Each object, or at least the object on the left side of the painting would cast a shadow on the table top.

There is a slightly darker value at the left ‘shoulder’ of the middle yellow jug. Perhaps this is a cast shadow of the fourth still life object behind the three in the foreground? Who knows? What do you think?

Rule Breaker Meets Rule Follower

All I know is that this Rule Follower saw several Morandi paintings this week. And, I was inspired to see if I can borrow his ideas and – eek – break a few rules in my own painting. Before I get to my painting I have to say the biggest reason I chose Morandi is because of the feeling I get when I look at this one in particular.

And, this is where I acknowledge that paintings and the viewer’s experience can be subjective. So your results may, of course, vary. But, for me, there’s a sense of calm and serenity that I experience when I spend some time looking at this painting by Morandi. So why not try breaking some rules in my own painting?

Two Rules

To keep things simple, I decided to create a painting where I would 1. strive to keep a close value range and 2. paint each object with a sense of volume but limit shadows. Full disclosure, I am learning all of this in a class I’m taking right now.

So did I follow the rules that I wanted to break? Well, kind of. Technically, I think Morandi would have used a more neutral color palette than I. And, the cast shadows in the set up in my studio were just so beautiful, I had to include them in the painting. I did line up the top of the olive oil bottle and the skillet handle. And the bottom of the bottle and skillet are on the same line, too. And the left edge of the sweet potato lines up with the edge of the iron skillet. Yes, I did each of these compositional faux pas’ on purpose. Here’s a photograph of the set up and painting in progress.

Set-up-for-Still-Life-by-Julie-Dyer-Holmes-12-7-22

In keeping with Morandi’s painting, I did not include the cast shadow of the sweet potato on the table top. Or, for that matter, any of the other two objects’ cast shadows on the table top. This, to me, is what’s eye catching and a potential serenity generator. Perhaps this is difficult to see in a photograph of this painting. But I definitely enjoyed painting this painting and the feeling it evokes for me. Although I am not exactly clear what adjective to choose to describe the feeling.

I can share that I love cooking sliced or cubed sweet potatoes in just a smidge of olive oil in that iron skillet. It’s the simplest side dish ever. But shazam it’s packed with color and darn good nutrition too. Maybe some of that cooking love is coming through here too?

Little Surprise

There’s a fun detail in this painting that is likely only visible to a viewer who sees this one in person. Just thinking about this detail makes me smile! If you want this painting for your very own, it’s for sale for $345 + tax. Free shipping. Click the PayPal button below to purchase

What About You Gentle Reader

Are you a rule breaker by nature? Or are you, like me, looking for a nudge to break some rules? What do you think of the Morandi painting I shared here today? Does it leave you flat or do you get a sense of serenity too or perhaps some other feeling? Either way, I am curious to hear what you think. Looking forward to hearing from you in the comments below.

6 Comments

  1. Beth Clary
    December 8, 2022

    Very fascinating, Julie. I had never heard of this painter or paid attention to the details you highlight. Your painting is very easy to stare at and let the other senses come along, such as the smells that crossed my mind of sauteing sweet potatoes, the sizzle when they’re just the right crispiness on one side, the way, if done the way I like, they are both crispy and soft. Very fun to learn about this painter and the broken rules and see your work.

    Reply
    • Julie Holmes
      December 8, 2022

      Hiya Beth, Gotta say the thing that keeps me going here is knowing how much I don’t know. That includes learning about Giorgio Morandi’s paintings. In the past I would have thought of them as neutral still life paintings. Now I look at them and think “serenity scenes!”
      Thanks so much for reading and learning along with me and commenting too! xoxo

      Reply
  2. Kristina Philipson
    December 8, 2022

    I’ve always heard that you have to master the rules before you can break them. You sure have and now you can! I love what you are doing!

    I’m curious if Morandi was mentioned in your early Roman painting class since the flatness of his work reminds me of those frescoes you discussed last week.

    I am really enjoying watching your journey Julie!

    Reply
    • Julie Holmes
      December 8, 2022

      Hiya Kristina, In so many ways, I still feel as if I am learning the rules of painting and drawing. So thank you for your comment! It sure is fun for me to veer off the road of rule learning and do some rule breaking. Woot!
      Yes Morandi is mentioned in the class I’m taking. We’re still looking at fresco paintings and Giotto too. Morandi is a more modern look at painting. I’m so glad to have these images percolating in my “thought bubble” as I navigate each day!
      Thank you for joining me along this visual journey and commenting too, Kristina. xoxo

      Reply
  3. Julie Dyer Holmes, Fine Artist Fa la la la la plus pumpkins and persimmon - Julie Dyer Holmes, Fine Artist
    December 15, 2022

    […] ideas for paintings. There are times when the inspiration may seem a bit high brow. For instance, last week’s painting is inspired by Italian painter Giorgio […]

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  4. Julie Dyer Holmes, Fine Artist Favorite Runaway Place - Julie Dyer Holmes, Fine Artist
    July 17, 2023

    […] By the way, many people don’t even have the privilege of wandering down the road to find their favorite place. Take Giorgio Morandi, (July 20, 1890 – June 18, 1964) for instance. He was an incredible painter of simple still life objects. In fact, his work inspired a still life painting of mine entitled “If Morandi Ate Sweet Potatoes.” […]

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